Friday, 12 March 2010

Thriller conventions

  • A crime at the core of the narrative (often murder, but not necessarily)
  • A complex narrative structure with false paths, clues and resolutions
  • A narrative pattern of establishing enigmas which the viewer expects to be revolved
  • A protagonist who is systematically dis-empowered and drawn into a complex web of intrigue by the antagonist
  • Extraordinary events happening in ordinary situations
  • Themes of identity
  • Themes of mirroring
  • Themes of voyeurism
  • Protagonist with a 'flaw' which is exploited by the antagonist
  • Titles of reflect an aspect of the pro/antagonists psychological state
  • There is often a scene near the end of the film in which the protagonist is in peril
  • MISE-EN-SCENE which echoes/mirrors the protagonists plight

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